11723 comments

• Comment Link Thursday, 28 November 2024 01:54 posted by 視覚 過敏 チェック

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• Comment Link Thursday, 28 November 2024 01:22 posted by ร้านดอกไม้ด่วน

  Do Greens and crossbenchers who claim that transparency and integrity is at the heart of
  their reason for entering Parliament in the first place hear themselves?
  
  
  In the past few days they have mounted self-serving arguments against proposed electoral
  reforms that the major parties look set to come together to support.
  
  
  The reforms include caps for how much money wealthy individuals can donate, caps on the amount candidates can spend in individual electorates to prevent the equivalent of an arms race, and a $90million limit on what any
  party can spend at an election - actually less than the major
  parties currently spend.
  
  The proposed new laws also include lower disclosure
  thresholds for donations, thus increasing the transparency of who
  makes political donations in the first place.
  
  So the wealthy wont be able to hide behind anonymity while using their cash to influence election outcomes - and the extent
  to which they can use their wealth at all will be limited.
  
  
  The bill will further improve transparency by also increasing the speed and frequency that disclosures of donations need to be made.
  
  
  At present we have the absurd situation in which
  donations get made - but you only find out the details of who has given what to whom many months later, well
  after elections are won and lost.
  
  In other words, what is broadly being proposed will result in much greater transparency and
  far less big money being injected into campaigning by the wealthy.
  
  
  
  
  
  Teal Kylea Tink claimed the major parties were 'running scared' with the policy and warned the reform would 'not stop the rot' 
  
  
  
  
  
  
  
  
  
  
  
  Greens senate leader Larissa Waters (left) fired a warning shot - saying
  if it serves only the major parties 'it's a rort, not reform'. Teal independent ACT senator David Pocock (right) said:
  'What seems to be happening is a major-party stitch-up'
  
  Anyone donating more than $1,000 to a political
  party, as opposed to $16,000 under the current rules, will need to disclose having done so.
  And how much they can donate will be capped.
  
  
  Yet the Greens and Teals have quickly condemned the proposed new laws, labeling
  them a 'stitch-up', 'outrageous' and 'a rort, not a reform'. 
  
  They have lost their collective minds after finding out that Labor's proposal just might secure the support of the opposition.
  
  I had to double check who was criticising what exactly before
  even starting to write this column.
  
  Because I had assumed - incorrectly - that these important transparency measures stamping out the influence of
  the wealthy must have been proposed by the virtue-signalling Greens
  or the corruption-fighting Teals, in a united crossbench effort to drag the major parties closer to accountability.
  
  
  More fool me.
  
  The bill, designed to clean up a rotten system, is being put
  forward by Labor and is opposed by a growing cabal of crossbenchers.
  
  
  It makes you wonder what they have to hide.
  Put simply, the Greens and Teals doth protest too much on this issue.
  
  
  
  
  
  Labor is thought to be trying to muscle out major political
  donors such as Clive Palmer
  
  
  
  
  
  Another potential target of the laws is businessman and Teal funder Simon Holmes à Court
  
  
  
  
  
  The Greens have taken massive donations in the past, contrary to their irregular
  calls to tighten donations rules (Greens leader Adam Bandt and Senator Mehreen Faruqi are pictured)
  
  The major parties have long complained about the influence the likes
  of Simon Holmes à Court wields behind the scenes amongst the Teals. 
  
  And we know the Greens have taken massive donations from the wealthy in the past, contrary
  to their irregular calls to tighten donations rules.
  
  
  Now that tangible change has been proposed, these bastions of virtue are running a mile from reforms that will curtail dark art of political donations.
  
  
  The Labor government isn't even seeking for these
  transparency rules to take effect immediately, by the way.
  It won't be some sort of quick-paced power play before the next election designed to
  catch the crossbench out.
  
  They are aiming for implementation by 2026, giving everyone enough
  time to absorb and understand the changes before preparing for
  them.
  
  Don't get me wrong, no deal has yet been done between Labor and
  the Coalition. I imagine the opposition want to go over the laws with a
  fine tooth comb.
  
  As they should - because it certainly isn't beyond Labor
  to include hidden one-party advantages in the proposed design which would create loopholes only the unions are capable of taking advantage of, therefore disadvantaging the Coalition electorally in the years to come.
  
  
  But short of such baked-in trickiness scuttling a deal
  to get these proposed laws implemented, the crossbench should offer their support, not cynical opposition, to what is being advocated for.
  
  
  
  They might even be able to offer something worthwhile that could be incorporated in the package.
  
  
  To not do so exposes their utter hypocrisy and blowhard false commentary about being in politics to 'clean things
  up'.
• Comment Link Thursday, 28 November 2024 01:17 posted by 相続税対策 保険

  December 13, 1949 to Bruce & Catherine Higbee.
• Comment Link Thursday, 28 November 2024 01:16 posted by выезд нарколога на дом

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• Comment Link Thursday, 28 November 2024 01:13 posted by คําติดพวงหรีด

  The Australian government has issued a stern warning to horror fans
  flocking to cinemas to see the ultra-violent slasher film Terrifier 3, cautioning audiences about
  its extreme content and disturbing themes.
  
  The film, directed by Damien Leone, has drawn huge crowds
  since it's release on October 10, as it continues the blood-soaked saga of
  Art the Clown with more gruesome, stomach-churning scenes.
  
  
  
  The movie has broken box office records as horror
  enthusiasts are lured in by the film's reputation for intense violence and shock value.
  
  
  
  The Department of Infrastructure, Transport, Regional Development, Communications, and the Arts has warned Australian audiences to prepare for scenes of graphic violence, dismemberment and disturbing themes that go well
  beyond typical horror fare.
  
  The film includes brutal depictions of murder using a variety of weapons, from chainsaws to axes
  and guns, resulting in explicit injury detail and copious
  amounts of blood.
  
  The warning also highlights that the movie portrays self-harm, cannibalism, animal
  cruelty and violence involving children, pushing the boundaries of
  what the most hardened horror fans has seen before.
  
  One of the film's more controversial moments includes a scene of implied masturbation coupled with self-harm, along with a shower
  scene that hints at sexual activity. 
  
  
  
  
  The Australian government has issued a stern warning to horror fans
  flocking to cinemas to see the ultra-violent slasher film Terrifier 3, cautioning audiences about its extreme content and disturbing themes 
  
  
  
  
  
  The film, directed by Damien Leone, has drawn huge crowds
  since it's release on October 10, as it continues the blood-soaked saga of Art
  the Clown with more gruesome, stomach-churning scenes 
  
  In addition, male genital nudity and obscured shots of female breast and
  buttock nudity have caused concern among viewers
  and the classification board alike.
  
  The film's R18+ rating in Australia is due to its high impact violence, blood, gore and explicit sexual content.
  
  
  Despite these warnings, audiences have turned out in droves.
  
  
  
  
  
  The Department of Infrastructure, Transport, Regional Development, Communications, and the Arts has warned Australian audiences to prepare for scenes of
  graphic violence, dismemberment and disturbing themes that go well beyond typical horror fare 
  
  Many cinema-goers in Sydney and Melbourne reportedly clapped and cheered during some of the film's most grotesque death scenes.
  
  
  This latest instalment of the Terrifier franchise is a continuation of the sadistic horror unleashed by Art the Clown, a
  character who has now become a modern horror icon for his relentless brutality.
  
  
  
  In Terrifier 3, Art's reign of terror continues, once
  again targeting Sienna Shaw who narrowly
  survived his attacks in the previous movie.
  
  
  Sienna, portrayed by actress Lauren LaVera,
  takes on Art in a deadly showdown that is as gory as it is horrifying,
  featuring scenes of decapitations, dismemberments and visceral body horror.
  
  
  
  
  Read More
  
  'Traumatising' horror sequel leaves two Perth moviegoers unconscious and one injured
  
  
  The Terrifier franchise, which began in 2016, quickly gained a cult
  following due to its extreme violence and over-the-top death scenes.
  
  
  
  The first film, which saw Art the Clown mutilate a victim with a hacksaw, shocked audiences with its brutal kill sequences.
  
  
  The sequel, Terrifier 2, went viral last year after reports emerged that viewers were fainting and
  vomiting in cinemas due to its graphic content.
  
  Now, with Terrifier 3, Leone has doubled down on the carnage, taking the gore to new, unsettling levels.
  
  
  
  Despite Australia's strict film censorship laws, Terrifier 3 was approved for theatrical release with a strong
  warning attached.
  
  The film's notoriety has only heightened its appeal to horror fans,
  who continue to fill cinemas across the country.
  
  
  Earlier this month, two people fainted and fled for the exit when it hit a Perth
  cinema for early previews.
  
  According to multiple eye witness accounts, one young
  woman badly injured herself after she fell down the cinema
  stairs while fleeing the movie theatre.
  
  'This is going to sound made up and I promise you it's not,
  ' Australian horror film critic Emma Clarke began her review of David Leone's controversial new
  horror-slasher.
  
  The Rotten Tomatoes verified critic said two people fainted right
  in front of her during the screening she attended at Innaloo Cinemas in Perth over
  the weekend.
  
  
  
  
  
  
  The first fainted during the opening scene, she said in her film review shared to YouTube,
  and the second nearer to the end of the two-house spectacle.
  
  
  'Can you tell me... why did two people feint right in front of me during that film?' she said.
  
  
  
  'Both trying to run down the stairs to get to the bathrooms because they felt so queasy.'
  
  The horror film fanatic said she spoke to both people and tried to assist them
  because she was seated directly behind them.
  
  The first was a man, who left with a friend who came to check on him, and second Australian victim was a
  young woman.
  
  'This poor girl gashed her head open as
  she fell down the stairs, I felt so bad for
  her. I went and checked on her afterwards,' Clarke claimed.
  
  
  'She did get help. She was with her friend. It really shook me
  up too. It actually took me out of the film for the moment.'
  
  The reviewer, who has been sharing her thoughts on scary movies for the past four
  years, said she has never seen audience members have such a visceral reaction to a film.
  
  
  
  
  
  Many cinema-goers in Sydney and Melbourne reportedly clapped and cheered during some of the film's most
  grotesque death scenes
  
  Clarke described the third installment of Leone's series — which is set
  to open nationally on Thursday, October 11 — as ' fun, intense,
  gory, disturbed, and over the top.'
  
  'I'm not used to horror actually hurting people, so that was a
  really strange experience,' she said.
  
  'Before anyone says they're paid actors, I saw the girl and she had injuries.
  They were both very young people. I feel really awful about it to be honest.'
  
  'It was a very scary moment trying to help them out.'
  
  
  SydneyMelbourne
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• Comment Link Thursday, 28 November 2024 01:02 posted by 退職 後 の 保険

  Kitty flirts with David, and Christie grows jealous when she suspects that David is developing romantic emotions for Kitty.